The Scarlet Witch and the Darkhold, a powerful magic manuscript…
Side wound of Christ, Eye of Sauron, or a vagina? Follow @_medievalart on Instagram for more!
The wound in Christ’s side, as depicted in the ‘Prayer Book of Bonne of Luxembourg,’ a devotional manuscript now in the Cloisters at the Metropolitan Museum of Art, New York (MS 69.86, f. 331). In the later Middle Ages, private devotion focussed increasingly on the bodily suffering of Christ and, in particular, on his wounds. Considered alongside the coterminous rise of female mysticism and the emergence of a nurturing, 'Mother Christ’ in popular devotion (as in the writings of Julian of Norwich), images such as this have been discussed in terms of their compelling semblance to a vagina. This manuscript was made in Paris for Bonne of Luxembourg, daughter of King John the Blind of Bohemia and first wife of the future King of France John II, who died in 1349.
Beyoncé & Jay Z at the Louvre in Apesh**t Video @museedulouvre
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Apollo Vanquishing the Serpent by Eugène Delacroix, 1850-1851, in the Galerie d'Apollon
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The Virgin of the Green Pillow by Andrea Solari, around 1507
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Jupiter Hurling Thunderbolts at the Vices by Veronese, 1556
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The Mona Lisa (La Giaconda) by Leonardo da Vinci, c1504
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Winged Victory of Samothrace, around 200 BCE
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The Oath of the Horatii by Jacques-Louis David, 1785
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Great Sphinx of the Louvre crypt
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The Coronation of Napleon in Notre-Dame de Paris by Jacques-Louis David, 1804
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Jacques-Louis David’s Sabine Women, 1799
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Juliette Récamier by Jacques-Louis David, 1800
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Francesca da Rimini Paolo Malatesta by Ary Scheffer, 1835
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Pietà by Rosso Fiorentino, 1530-40
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Raft of the Medusa by Géricault in 1819
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Veronese’s Wedding at Cana, 1562-1563
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Géricault’s Charging Chasseur of 1812
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Hermes by Lysippus, 4thC BCE
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Venus de Milo, 1stC BCE
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Portrait of a Woman by Marie-Guillemine Benoist, c1800
Saint John the Baptist, in Drag ~ Palacio nacional de Sintra, Portugal
Palmyra, aka House of Black and White from Game of Thrones
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From Louis-François Cassas, Voyage pittoresque de la Syrie, de la Phoenicie, de la Palaestine et de la Basse Aegypte, vol. 1 (1799–1800), engraved by Louis Desmaisons and Jean-Baptiste Liénard after Louis- François Cassas. The Getty Research Institute, Los Angeles (840011)
Beyond the Nile: Egypt and the Classical World @thegetty
Now in its 28th year, Day With(out) Art is a call to action against the AIDS pandemic and its devastating effect on art and culture.
This year, we focus on #MyRightToHealth and are motivated as well by current efforts to pass a bill that would eliminate the tax deduction on medical expenses—a deduction that helps almost 9 million Americans a year offset the financially devastating cost of medical crises, chronic illnesses, and disabilities.
As curators of manuscripts, this day prompts us to reflect on the enduring relevance of centuries-old images in our collection, specifically, one that reveals the vulnerability of the human condition and celebrates compassion, not only with thoughts and prayers but with actions.
“Whatever you did for one of the least of these brothers and sisters of mine, you did for me.”
Taken from the Gospel of Matthew, Christ’s words about charity are written in Latin above this scene of a nun feeding a leper in a hospital. Even in the Middle Ages, medical care was available to those with pre-existing conditions and terminal illnesses, though treatment was rarely provided by physicians.
It was clerics who were tasked with ministering to the physical and spiritual needs of the sick. Meals and medicine were communally provided after admission to a hospital, but some of the poorest members of society were compelled to raise funds for their care. The stigma attached to diseases such as leprosy, the plague, or later syphilis, however, cut across all social classes.”
Take a close look at the image below on the left.Do you see the Playboy Bunny in reverse?
WTF?!? I was so amused when I noticed the symbol yesterday that I had to make it today’s post. The heraldic image above actually comes from the Hastings Hours (a private devotional book) in the British Library.Evidently, the Hastings’ family coat of arms is comprised of argent a maunch sable (or, black sleeve on a silver background). So the negative space between the sleeve that looks like the Playboy Bunny is just pure negative space. And that oddly shaped black thing is a sleeve, like the ones on a shirt but imagine a long, swooping medieval sleeve.